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Please consider subscribing to this channel: 🤍 And supporting this channel on Patreon, 🤍 many thanks! Edvard Munch biography: This video discusses the life and times of the Norwegian expressionist artist Edvard Munch. Death, love and angst are prominent themes he explored through out his life. The famous artist Edvard Munch was born in Loten in Norway, but lost his mother and sister at a young age. Edvard Munch is perhaps most famous for his paintings, The Scream, Death in the Sick Room, but his series of paintings, The Frieze of Life contains many remarkable paintings such as the Dance of Life. Munch suffered from bouts of mental illness and alcoholism, both issues are often reflected in his work. He also did a series of paintings for Oslo University, in Norway and for the Freia Chocolate Factory also in Oslo. The latter years of his life were spent in his estate at Ekely, Norway painting many self portraits which explored the effects of old age. Edvard Munch died in 1944 at the age of 80. This video is designed for students and those wanting an introduction into art history. Interested in DRAWING? Check out my drawing channel: 🤍 Would you like me to critique your drawing? Sign up here:- https:patreon.com/paulpriestleyart Want this video in your own language? Check out my video to see how: 🤍 For drawing and painting art tutorials designed for beginners - visit my website: - 🤍 Follow our Facebook Page: 🤍 Follow our Twitter page: 🤍 PATRONS: I'd like to thank the following patrons whose support in the making of this video is much appreciated: Martyn Lawrence Clarke-Smith, Richard Chapple, Ivan Gilbert Rappaport, Farida Grewal, Dale Folan, Cate Carain, Denise Trietsch, George Barnabic, Fred Kolowrat, Murray Gottselig, Steen Sønderup, Wei Tai, Susan Wynn, Shirley Trill, Eileen Stoecklin, Sandra McFarland, Emily Liss, Lorinda Jones, and Nicolae Opris MUSIC: Provided by YouTube Gymnopedie No 1 by Kevin MacLeod is licensed under a Creative Commons Attribution licence (🤍 Source: 🤍 Artist: 🤍 Gymnopedie No 2 by Kevin MacLeod is licensed under a Creative Commons Attribution licence (🤍 Source: 🤍 Artist: 🤍 Prelude No. 7 by Chris Zabriskie is licensed under a Creative Commons Attribution licence (🤍 Source: 🤍 Artist: 🤍
Edvard Munch, Norway's premiere modernist painter, forerunner of Expressionism and creator of the Scream is a towering figure in the history of Modern Art who brought raw emotion to painting in ways never before seen. In this video we take a look at his enormous body of work, the context which informed it and the fear of madness that haunted him from his childhood right through to his old age. Like what we do and want to help out? Help us keep the lights on at 🤍 Comments, queries, questions and all of that- theartshole🤍gmail.com Footage used- 🤍 Munch's recordings- 🤍 When Edvard Munch passed away in 1944 those tasked with the handling of his affairs were confronted by something of a strange scene. Highly regarded as a giant of modern art Munch had achieved great success during his long life and yet his last few years had been spent alone. Unmarried, childless, suffering from mental instability and living in fear of the Nazi's who occupied his Norwegian homeland, when Munch left this world it seemed to those who found him that he had done so alone. As they wandered through the hallways and bedrooms of the old painters home however a different picture began to emerge. There they found artwork after artwork, canvases, drawings, paintings and prints stacked in the corners, piled up in the hallways, covering the walls and even lying in the garden, exposed to the elements like forgotten children's toys. All told there were some 20,000 pieces found in Munch's home following his death representing works from across his long career and a collection of near incalculable cultural value. To Munch himself though their worth was even greater than that, for in the eyes of this isolated elderly painter these weren't just artworks, they were his children as well. Famously reticent to part with his works and often likening his relationship with them to that of a parent to a child, he really did in many regards treat them as family. On good days he would even take them to the beach. These somewhat odd behaviors were the result of a life shaped by tragedy, illness, death and loss, which had inspired Munch to create a new kind of art. One which was emotionally resonant, deeply personal and highly empathetic, leading eventually to the style which would generally come to be termed Expressionism. Today, we're going to take a look at Munch and his expressive art, from his strict religious upbringing to his days as a Bohemian rebel, his successes as a painter, failure's in love, battles with addiction and struggles with the looming threat of hereditary insanity to give you a picture of a man who shaped the course of Modern art and who may not have been as alone at the end as those who found him had thought.
MY BOOK OF ESSAYS IS OUT NOW! AMAZON: 🤍 EVERYWHERE ELSE: 🤍 . HELP ME MAKE MORE VIDEOS: 🤍 SOURCES: Patricia Berman, "Edvard Munch's Self-Portrait with Cigarette: Smoking and the Bohemian Persona The Art Bulletin, Vol. 75, No. 4 (Dec., 1993), pp. 627-646 Patricia Berman, "(Re-) Reading Edvard Munch: Trends in the Current Literature" Scandinavian Studies, Vol. 66, No. 1 (Winter 1994), pp. 45-67 Max Nordau, "Degeneration" 🤍 1892 (The chapter on the Decadents is the most relevant to this video) Dr. L. Bremer, "Tobacco, Insanity and Nervousness" 1892 🤍
Edvard Munch's the Scream is definitely one of the most recognized paintings. But do we really know it? What is the scream? Who's the skeleton-like character? Why do they look scared? Join me in analyzing this anxiety filled painting made by a troubled genius of the 19th and 20th century. Support us on Patreon: 🤍
Curator Nicholas Cullinan introduces Tate Modern's Edvard Munch exhibition, and explains how the artist's fascination with new technologies influenced his paintings Few modern artists are better known and yet less understood than Edvard Munch. He is often seen as a 19th-century Symbolist painter but this exhibition shows how he engaged with modernity and was inspired by the everyday life outside of his studio such as street scenes and incidents reported in the media. He was also influenced by the technological developments in cinema and photography at the time, referenced by his use of prominent foregrounds and strong diagonals. This technique creates the illusion of figures walking towards the viewer, a trick seen in many of Munch's most innovative work. Underpinning Munch's work is his preoccupation with psychological themes, exploring states of anxiety, isolation and fear states which, as this exhibition shows, Munch continued to explore right up to the end of his life.
Edvard Munch’s (b. Norway 1863-1944) The Scream is an illustration of face-melting, spine-chilling agony so alien and yet familiar that it’s reverberated through the centuries. Few images pack a punch this intensely – but it’s also tragically eclipsed thousands of equally searing artworks by this brilliant albeit deeply troubled Norwegian artist. This is Several Circles, where we tell the stories of extraordinary artists from across history and the present day. We believe art history content should be accessible—free of charge and impenetrable jargon, but abundant in fascinating facts, illuminating analyses, and entertaining anecdotes. Each episode is written and hosted by Rachel, an art journalist-turned-copywriter at The Met, and produced by Jason, a New York City art technician. The fuzzy feline superstars are Jimmy (big and bushy) and Tallulah (small with thumbs). We started this channel to indulge our fascination with what compels an artist to create the way they do, and we intend to grow it into a vast and celebratory archive of the weird and wonderful eccentrics who constitute the art history continuum. Subscribe and click the bell to be notified whenever we publish a new video! #EdvardMunch #TheScream
BOOKS about Edvard Munch:  SO MUCH LONGING IN SO LITTLE SPACE: The art of Edvard Munch by Karl Ove Knausgaard - 🤍  THE PRIVATE JOURNALS OF EDVARD MUNCH: We are Flames Which Pour Out of the Earth - 🤍  THE STORY OF EDVARD MUNCH by Ketil Bjornstad - 🤍  EDVARD MUNCH: The Complete Graphic Works by erd Woll - 🤍 - In order for the LEARNFROMMASTERS project to continue its activity, YOUR KIND SUPPORT IS REQUIRED: PATREON: 🤍 PAYPAL: 🤍 - Edvard Munch: A collection of 1640 works (HD) *UPDATE (added over 1400 new paintings than previous video) Description: "Edvard Munch was a prolific yet perpetually troubled artist preoccupied with matters of human mortality such as chronic illness, sexual liberation, and religious aspiration. He expressed these obsessions through works of intense color, semi-abstraction, and mysterious subject matter. Following the great triumph of French Impressionism, Munch took up the more graphic, symbolist sensibility of the influential Paul Gauguin, and in turn became one of the most controversial and eventually renowned artists among a new generation of continental Expressionist and Symbolist painters. Munch came of age in the first decade of the 20th century, during the peak of the Art Nouveau movement and its characteristic focus on all things organic, evolutionary and mysteriously instinctual. In keeping with these motifs, but moving decidedly away from their decorative applications, Munch came to treat the visible as though it were a window into a not fully formed, if not fundamentally disturbing, human psychology." - MUSIC: Kevin MacLeod - Almost in F - Tranquillity Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution license (🤍 Source: 🤍 Artist: 🤍 SUBSCRIBE: 🤍youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: 🤍 Instagram: 🤍 Contact: LearnFromMasters01🤍gmail.com LIST OF ARTISTS already posted on LearnFromMasters: 🤍 - Thank you so much for your support! #LearnFromMasters #NorwegianPainter #Symbolism #OnlineArtGallery #CollectionOfPaintings #ArtHistory #EdvardMunch
For a limited time only, get 50% OFF your first 6-bottle box for a total of only $55 including shipping! Get started by following my link [🤍 ] and take the taste palate quiz to see your personalized matches. New "Scream" merchandise here - 🤍 Please consider supporting this channel on Patreon, thanks! 🤍 Or if you prefer a one off donation - 🤍 Between 1863 when Munch was born and the years before the first world war, European cities were going through unprecedented change. Industrialization and economic change brought anxieties and obsessions, political unrest, and radicalism. Questions about society and the changing role of man within it, about our psyche, our social responsibilities, and most radical of all, questions about the existence of God. This is a period of Sigmund Freud, Friedrich Engels, Karl Marx and Friedrich Nietzche. This is also the period that Munch painted The Scream. Subscribe and click the bell icon to be notified! 🤍 I would like to thank all my Patreon supporters, in particular Alan Stewart, Alexander Velser, David Abreu, Christa Sawyer, Griffin Evans, Jennifer Barnaby, Kibbi Shaw, Nicholas Siebenlist, Paul Ark, Paul Waterman, Theresa Garfink, Toni Ko, and Tyler Wittreich. "What a brilliant series this is" - Stephen Fry on Twitter 12 December 2020 CREDITS SUBTITLES I input the English subtitles myself but I rely on volunteers to do subtitles for other languages and I really appreciate it - just contact me at jamespayne33🤍hotmail.com Chinese Subtitles by Charles Xue Spanish Subtitles by Lourdes Saez French Subtitles by Ludivine Desriac Dutch Subtitles by Bart Vergouwe Title Sequence by Brian Adsit (instagram 🤍 and Behance 🤍behance.com/badsit88) All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them. TV and FILMS 🤍 BOOKS Edvard Munch (World of Art) by Josef Paul Hodin Edvard Munch: Behind the Scream by Sue Prideaux Edvard Munch: love and angst by Karl Ove Knausgaard and Giulia Bartrum Edvard Munch Masterpieces of Art by Candice Russell Music: Edvard Grieg - In The Hall Of Mountain King "Theme" music: JS Bach “Sonata for violin solo No.1 in G Minor” Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
We met with the celebrated Norwegian writer Karl Ove Knausgård, to learn about his deep fascination and admiration for painter Edvard Munch (1863-1944), who struggled with personal loss and other people’s expectations to make iconographic works such as ‘The Scream’. In this video, Knausgård shows us an unknown side of Munch, while also telling a story about what creating is all about. The Norwegian author shares how, when he saw a Munch painting for the first time at age 17, the “emotional, existential language” spoke to him instantly, and how Munch’s landscape paintings are very significant to him: “All his landscapes are so charged with emotions.” Knausgård goes to talk about the many motifs that were repeated throughout Munch’s career, one of which was that of his sister’s deathbed: “His life was very much about death when he grew up.” This very act of creating, even when it is something painful, can be a comfort in itself, Knausgård finds, adding that this also goes for writing. Munch’s way of connecting with the world, he continues, was painting: “You can use it to kind of confront the world and confront yourself. But you can also use it to hide from it.” Munch did both. In continuation of this, Knausgård feels that the “brave thing he did was to confront all of that inner turmoil that he had in his paintings as he did in the 1890s when he was rather young.” At this time, Munch was drinking heavily, suffered from paranoia, and had a hard time attaching himself to women – because that meant risking losing them. Ultimately, Munch had a complete breakdown and was submitted to an institution in Copenhagen for an extended period. Getting out, Knausgård observes, Munch started looking outward rather than inward in his paintings. “If you want to get to what’s going on, then you need a form that’s not fixed. And if you try to do that you have to break down. That was what Munch was doing – he broke things down.” Knausgård also talks about creativity and form, and how Munch at a certain point got stuck in the past and in a style: “He got stuck in Munch.” This leads Knausgård on to artists and control: “In art, you have to let go somehow. That’s where the braveness comes in.” Karl Ove Knausgård (b. 1968) is a Norwegian author, internationally recognized for his prizewinning novel ‘My Struggle’. The novel, in which the author describes his own life, is in six volumes spanning over 3,000 pages. He is also the author of a four-volume series following the seasons – ‘On Spring’, ‘On Summer’, ‘On Fall’ and ‘On Winter’ (2015-16), ‘Inadvertent (Why I Write) (2018), and ‘So Much Longing in So Little Space: The Art of Edvard Munch’ (2019). Knausgård is the recipient of several prestigious prizes including the Austrian State Prize for European Literature. Edvard Munch (1863-1944) is a Norwegian painter and one of the most important artists of the late 19th and early 20th century. Munch was part of the Symbolist movement in the 1890s, and a pioneer of Expressionism. Among his most iconic paintings are ‘The Scream’ and ‘The Sick Child’. Karl Ove Knausgård was interviewed by Christian Lund at Kunstsammlung Nordrhein-Westfalen in Düsseldorf in connection with the exhibition ‘Edvard Munch’, curated by Karl Ove Knausgård, in November 2019. The exhibition features approximately 140 works – paintings, prints and sculptures – that have rarely if ever been exhibited. For more see: 🤍 Camera: Jakob Solbakken Edited by Klaus Elmer Produced by Christian Lund Cover photo: A cropped version of ‘Self-portrait’ (1888) by Edvard Munch Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2020 Supported by Nordea-fonden FOLLOW US HERE! Website: 🤍 Facebook: 🤍 Instagram: 🤍 Twitter: 🤍
İyi Ki Filmler Var'da yer alan Edvard Munch (1974)'ü 🤍 Türkçe altyazılı olarak buradan izleyebilirsiniz.
"Edvard Munch - Liebe, Tod und Leben" Doku D 2003, Reihe "Faszination Kunst" von Angelika Lizius. Aufnahme: 22.01.2019. Wer kennt es nicht, das berühmteste Gemälde des norwegischen Künstlers Edvard Munch: "Der Schrei" - hier ist der Fjord seiner Heimat grell gefärbt, bedrohlich - und wird so zum Abbild der panischen Existenzangst der Figur im Vordergrund. "Der Schrei" gilt als das erste expressionistische Bild, Munch wird zum Mitbegründer des Expressionismus. Die eigene Existenz diente dem Maler als Hauptquelle für sein Werk, seine Bildthemen drücken menschliche Grunderfahrungen aus: Einsamkeit, Verzweiflung, Eifersucht, Liebe, Angst und Tod. "Meine Bilder kennst du, und du weißt, ich habe alles selber erlebt. Meine Bilder sind mein Tagebuch", schrieb Edvard Munch an einen Freund. In der Dokumentation von Angelika Lizius werden nicht nur die Höhepunkte einer Ausstellung gezeigt, sondern auch Hauptwerke des Künstlers wie sein monumentales Wandgemälde für die Aula der Universität in Oslo, an ihrem Entstehungsort. Von den Orten seiner Kindheit und Jugend in Norwegen ausgehend, folgt die Filmautorin den Spuren des Künstlers auf seiner Wanderschaft durch die europäischen Kunstmetropolen der Zeit. Die Autorin zeichnet einfühlsam Munchs künstlerischen und privaten Werdegang nach, der ihn schließlich wieder in die geliebte Heimat zurückbrachte. Nur durch seine Malerei konnte Edvard Munch seine Gefühle bewältigen und sich das Leben und seine Bedeutung erklären. (Aufgrund einer Urheberrechtsbeschwerde musste die Hintergrundmusik am Anfang nach 10 sek und am Ende bei 40 min ca. 2 min lang gelöschen werden.)
Breve biografia della vita e delle opere dell'artista norvegese Edvard Munch. Nuovo video della serie #artistiin10punti. ▼▼CONTINUA SOTTO▼▼ Figlio di un medico il cui studio si trovava in un quartiere operaio di Christiania (oggi Oslo), durante l’adolescenza Edvard Munch viene profondamente segnato dalla perdita della madre e di una sorella. Nel 1879 entra nella Scuola di arti e mestieri, ma poco dopo decide di dedicarsi alla pittura e nel 1882 allestisce uno studio nel Pultosten, edificio situato nel centro di Christiania. Qui il pittore naturalista Christian Krohn avviava i giovani artisti sulla strada di un realismo animato da influssi impressionisti. Il video inoltre è sottotitolato in italiano, inglese, francese e spagnolo. Per i sottotitoli in lingua straniera puoi contribuire anche tu! Segui quindi la playlist “Artisti in 10 punti” per non perderti mai nulla e lascia un commento sotto ai video in cui puoi tu stesso suggerirci opere oppure nuovi temi da trattare in futuro. Il tuo contributo è quindi molto prezioso. #artesplorando #EdvardMunch ISCRIVITI AL CANALE: 🤍 LA MIA PAGINA FB: 🤍 IL MIO TWITTER: 🤍 IL MIO PINTEREST: 🤍 IL MIO PROFILO LINKEDIN: 🤍 IL MIO INSTAGRAM: 🤍 IL MIO NEGOZIO: 🤍 IL MIO SITO: 🤍 DUE MINUTI DI ARTE: 🤍 LE MIE PLAYLIST PRINCIPALI ➡Al museo con Artesplorando: 🤍 ➡Audioquadri: 🤍 ➡10 momenti di: 🤍 ➡Artisti in 10 punti: 🤍 ➡Artesplorazioni: 🤍 ➡Quick Art: 🤍 LETTURE DA ARTESPLORANDO BLOG → Edvard Munch, precursore dell’espressionismo 🤍 LETTURE CONSIGLIATE: → Edvard Munch 🤍 → Frammenti sull'arte 🤍 → La mente spiegata da Edvard Munch. Psicoanalisi in dialogo con un artista 🤍
Edvard Munch: A collection of 174 paintings (HD) Description: "Edvard Munch was a prolific yet perpetually troubled artist preoccupied with matters of human mortality such as chronic illness, sexual liberation, and religious aspiration. He expressed these obsessions through works of intense color, semi-abstraction, and mysterious subject matter. Following the great triumph of French Impressionism, Munch took up the more graphic, symbolist sensibility of the influential Paul Gauguin, and in turn became one of the most controversial and eventually renowned artists among a new generation of continental Expressionist and Symbolist painters. Munch came of age in the first decade of the 20th century, during the peak of the Art Nouveau movement and its characteristic focus on all things organic, evolutionary and mysteriously instinctual. In keeping with these motifs, but moving decidedly away from their decorative applications, Munch came to treat the visible as though it were a window into a not fully formed, if not fundamentally disturbing, human psychology." Feel free to subscribe!
"Edvard Munchs Dämonen" Doku RBB 2013 von Wilfried Hauke. Aufnahme: 3sat 01.03.2015. Edvard Munchs Bildnis "Der Schrei" ist eine Ikone der Moderne und gilt heute als das teuerste Gemälde der Kunstgeschichte. Die dramatische Lebens- und Leidensgeschichte des Künstlers ist allerdings weniger bekannt. Er war geplagt von dunklen Dämonen wie Paranoia, Angst und Alkoholismus. Wilfried Haukes Dokumentarfilm Munchs Dämonen ist neben der Katastrophengeschichte des weltberühmten Malers Edvard Munch zugleich ein Spiegel der modernen visuellen Kultur unserer Tage. Der Maler Edvard Munch steckt mit Mitte 40 in der größten Krise seines Lebens. Im Ausland bejubelt man ihn bereits als Künstler der Zukunft, in seiner Heimat Norwegen gilt er als Schmierfink und Psychopath. Seine Mutter und die Schwester Sophie sind früh an der Schwindsucht gestorben. Die höchst dramatische Beziehung zu seiner Verlobten Mathilde Larsen endet mit einem Schuss, der ihm den Mittelfinger seiner linken Hand verkrüppelt. Die Schwester Laura kommt ins Irrenhaus. Und Munch fürchtet, bald ebenfalls geisteskrank zu werden. Der Maler spürt einen Dämon in sich. Er malt gegen seine Angst und Verzweiflung an. Seine Bilder zeigen sein Innerstes, sind wie ein Tagebuch. Zwei Sommeraufenthalte im deutschen Ostseebad Warnemünde sollen Linderung bringen. Doch stattdessen sackt er immer tiefer in den Alkohol ab. Im Herbst 1908 kommt der Zusammenbruch. Munch lässt sich wegen Paranoia in ein Sanatorium in Kopenhagen einliefern. Der Alkoholentzug ist brutal. Neun Monate später wird er als trockener Alkoholiker entlassen. Doch Munch weiß, seine Dämonen können jederzeit wieder erwachen. Der Preis für sein neues Leben ist hoch: Er kehrt nach Norwegen zurück, malt wie ein Besessener und lässt kaum Menschen an sich heran. Seine Bilder sind seine "Kinder". Munch bekommt die Ehrenmedaille des norwegischen Königs und stellt bei Ausstellungen in Europa selbst Picasso und Vincent van Gogh in den Schatten. Er ist jetzt ein Weltstar geworden. Für seine Landsleute bleibt er ein schrulliger Kauz. Im Alter bricht Munchs Leidenschaft für die neuen Medien Fotografie und Film wieder aus. Als er befürchtet, wegen seines Augenleidens bald nicht mehr malen zu können, kauft er sich 1927 in Paris eine Amateurfilmkamera. Der eifrige Kinogänger, der vor allem die Filme Murnaus liebt, dreht nun seine eigenen Filme. Er filmt ohne Stativ, was ihm vor die Linse kommt: Straßenszenen mit Omnibussen und Fußgängern, spielende Kinder an einem Bauzaun und sich selbst. Je größer der Abstand zu den selbst erlebten Katastrophen wird, umso stärker tritt Munchs einzigartiges visuelles Repertoire in den Vordergrund. Der Maler gibt Gefühlen wie Angst, Einsamkeit, Sprachlosigkeit und sexueller Obsession eine moderne Bildform - ohne daran wieder zugrunde gehen zu müssen - und nimmt damit das moderne Sehen vieler Künstler unserer Tage vorweg.
Cuando vemos las obras de Edvard Munch no podemos evitar preguntarnos qué tipo de personas pinta escenas tan crudas y desesperantes😱😱 En este video te compartimos algunos detalles para conocer a la persona detrás e estas obras de arte.🙌🙌 ¿Qué te parece el trabajo de Munch?
Willkommen zur Eröffnung unserer neuen Ausstellung EDVARD MUNCH. IM DIALOG. Es sprechen: Klaus Albrecht Schröder, Generaldirektor der ALBERTINA Dieter Buchhart, Kurator der Ausstellung Antonia Hoerschelmann, Kuratorin, ALBERTINA
#scream #edvardmunch #art Edvard Munch's 1893 painting “The Scream" is so famous it has its own emoji 😱. Few works of art are so enshrined in popular culture. In today's video, Curious Muse revisits this iconic painting and provides a deeper analysis of Edvard Munch’s anxiety-wrought piece. SIGN UP TODAY: 🎨 Online Mini Course - How to Understand Modern Art: 🤍 JOIN OUR FREE NEWSLETTER 📩 Get your regular dose of culture directly in your inbox 🤍 CREDITS: Story: Jovan Mladenovic Voice: Naomi Madelin Production: Juliet Muse Copyrighting: Brandon Marcus STAY IN TOUCH: ► Instagram: 🤍 ► Facebook: 🤍 ► TikTok: 🤍 If you’d like to support us you can now do so by joining our channel. Your membership means we can keep this project running and continue to share knowledge with more curious muses. Thank you for your help!
In a dedicated double-height space at MUNCH, you can experience the largest paintings Edvard Munch ever created. These enormous artworks are versions of the paintings made by Munch for the University of Oslo’s Ceremonial Hall in connection with the university’s centenary in 1911. But did you know that he actually didn't win the competition for the commission? And that he was never satisfied with the largest painting, the Researchers?
Enjoy this engaging and far-reaching conversation between two giants of art and literature, Scottish artist Peter Doig and Norwegian author Karl Ove Knausgård about the legendary Norwegian painter Edvard Munch (1863-1944). About how they mirror themselves in Munch’s struggle to stay alert as an artist and keep discovering new territories instead of giving in to the expectations of others. “I’m still shaking after walking around in the exhibition,” Doig says of Knausgård’s ‘Edvard Munch’ exhibition in connection to which the writer and painter talk about their fascination with the Norwegian painter. Knausgård feels that Doig’s paintings are similar to Munch’s, and Doig describes the ways in which there are references to Munch in his paintings – e.g. how both painters hide things in their work. Knausgård talks about Munch’s personal life and the many losses he experienced at an early age: “He couldn’t trust the world.” Painting, Knausgård feels, was a way for Munch to connect to the world. As an example, he painted his sister’s deathbed over and over again. Later, Knausgård continues, Munch had some kind of mental breakdown, and also became an alcoholic: “He’s really almost dissolved as a person.” After this, Munch seemed to stop painting his inner landscapes. Moreover, Knausgård finds it interesting that Munch repeated his paintings throughout his life – doing paintings that he had done at age 22 at the age of 74. “I always go in with emotions – I have no other way to approach paintings. And then it kind of opens up if you keep looking at it,” Knausgård says. He feels that in literature as well as in art, there is a struggle to break down and build up to make things new for yourself. Doig agrees with this, and talks about how painting can be a struggle to know what’s going to keep you excited, and why it is essential to approach a painting with a kind of innocence and openness: “Things come about by surprise.” Peter Doig (b. 1959) is a Scottish artist, who is celebrated as one of the most important representational painters working today. He has held several solo exhibitions including at the Scottish National Gallery in Edinburgh, Faurschou Foundation in Beijing, Louisiana Museum of Modern Art in Humlebæk, Musée des Beaux-Arts de Montreal, Musée d’Art Moderne de la Ville de Paris, and Tate Britain in London. His works are held in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and Schirn Kunsthalle in Frankfurt, among others. Doig has received several prestigious awards such as the Prix Eliette von Karajan (1994) and the Wolfgang Hahn Prize of the Society for Modern Art (2008). Karl Ove Knausgård (b. 1968) is a Norwegian author, internationally recognized for his prizewinning novel ‘My Struggle’. The novel, in which the author describes his own life, is in six volumes spanning over 3,000 pages. He is also the author of a four-volume series following the seasons – ‘On Spring’, ‘On Summer’, ‘On Fall’ and ‘On Winter’ (2015-16), ‘Inadvertent (Why I Write) (2018), and ‘So Much Longing in So Little Space: The Art of Edvard Munch’ (2019). Knausgård is the recipient of several prestigious prizes including the Austrian State Prize for European Literature. Edvard Munch (1863-1944) is a Norwegian painter and one of the most important artists of the early 20th century. Munch was part of the Symbolist movement in the 1890s, and a pioneer of Expressionism. Among his most iconic paintings are ‘The Scream’ and ‘The Sick Child’. Peter Doig and Karl Ove Knausgård were on stage with Christian Lund at Kunstsammlung Nordrhein-Westfalen in Düsseldorf in connection with the exhibition ‘Edvard Munch’, curated by Karl Ove Knausgård, in November 2019. Camera: Jakob Solbakken Edited by Klaus Elmer Produced by Christian Lund Cover photo: Cropped version of ‘Ashes’ (1894) by Edvard Munch Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2019 Supported by Nordea-fonden FOLLOW US HERE! Website: 🤍 Facebook: 🤍 Instagram: 🤍 Twitter: 🤍
Peintre de l’âme et des émotions, Edvard Munch a exploré les thèmes de l’angoisse, de la mort, du tourment ou encore de l’amour tout au long de sa carrière. Noëmie Roussel nous emmène au 🤍Musée d'Orsay pour découvrir l’œuvre tourmentée de cet artiste virtuose. #cultureprime #expomunch #munch 📲 Retrouvez-nous sur les réseaux sociaux : - Facebook : bit.ly/ftvarts_fb - Instagram : bit.ly/ftvarts_Insta - Twitter : bit.ly/ftvarts_twitter 📩 Inscrivez-vous à la newsletter 🤍Culture Prime sur : cultureprime.fr
Munch é um dos artistas mais importantes quando pensamos no desenvolvimento da arte moderna europeia, mas sempre que o estudamos, pouco se fala sobre sua produção, geralmente ficamos presos no quadro O Grito e ponto. No vídeo de hoje vamos investigar um pouco mais a vida de Munch e de quebra vamos descobrir algumas curiosidades de sua vida! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Rodrigo Retka e Arte de Segunda nas redes sociais: 🤍 🤍 🤍 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - #ArteDeSegunda #Munch #ArteModerna ––––––––––––––––––––––––––––––
Join us for a relaxing art break, where one of the museum’s art educators guides you through Edvard Munch’s property at Ekely. He lived here for the last 28 years of his life, from 1916 until 1944, and it was rumoured that he had become a hermit. But is this really true? We will explore the arbour and the garden, where the colours and light inspired him; walk inside his Winter Studio and look at some paintings that deal with the different themes Munch explored at Ekely, such as melancholy and loneliness. munchmuseet.no/en/MUNCH-digital/ // Bli med på en kunstpause, hvor en av museets kunstformidlere tar deg med på en omvisning på Edvard Munchs eiendom, Ekely. Her bodde han de siste 28 årene av livet sitt, fra 1916-1944. Mens han bodde på Ekely, spredte det seg et rykte om at han levde som en eremitt. Men er dette sant? Vi skal utforske lysthuset og hagen, hvor fargene og lyset inspirerte ham; gå inn i hans ellers lukkede vinteratelier og se på noen malerier som tar for seg de forskjellige temaene Munch utforsket her på Ekely, slik som melankoli og ensomhet. munchmuseet.no/MUNCH-digital/
A major collection of works by Edvard Munch is about to be shown in the UK for the first time from the end of May at The Courtauld Gallery. Learn more about the show here: 🤍 The Morgan Stanley Exhibition: Edvard Munch. Masterpieces from Bergen will run from 27 May – 5 September 2022, and is part of a partnership between The Courtauld and KODE art museums in Bergen, Norway. KODE in Bergen is home to one of the most important Munch collections in the world, originally assembled in the early 20th century by Norwegian industrialist Rasmus Meyer (1858 – 1916), who collected Munch’s work during the artist’s lifetime. The exhibition will bring together some 18 paintings from this collection – the first time a comprehensive group of works from the collection has been seen outside Norway. It will begin with seminal early examples of Munch’s ‘realist’ period of the 1880s which launched his career, such as Morning (1884) and Summer Night (1889), a pivotal work that reflects the artist’s move towards the expressive and psychologically charged work for which he became famous. These works set the stage for the highly expressive paintings of the 1890s, including remarkable canvases from Munch’s famous Frieze of Life series which tackled profound themes of human existence through visceral depictions of the human psyche, such as Evening on Karl Johan (1892), Melancholy (1894-96) and At the Death Bed (1895). The Courtauld’s permanent collection of Impressionist and Post-Impressionist masterpieces, on display in the newly refurbished LVMH Great Room, will provide rich context for the exhibition, revealing some of the artistic inspirations Munch encountered during his experimental years in Paris from 1889 – 1892, where he discovered the modern styles of Gauguin, Toulouse Lautrec and Van Gogh. The exhibition will be accompanied by a fully illustrated catalogue with contribution from experts from KODE and The Courtauld. This exhibition is sponsored by Morgan Stanley, and supported by the AKO Foundation, with additional support from The Huo Family Foundation.
Edvard Munch und Deutschland: Durchbruch und Krise Edvard Munch hatte ein enges Verhältnis zu Deutschland und lebte dort mehrere Jahre. Hier hatte er seinen ersten kommerziellen Durchbruch und wichtige Unterstützer. Die Stadt Berlin mit ihrer internationalen Künstlerszene gab Munchs Kunst neue Impulse. Und die Nacktbadenden des norddeutschen Standorts Warnemünde wurden ein wichtiges Motiv in Munchs Bildern. Zugleich war Munchs Zeit in Deutschland auch geprägt durch Stress und Krisen. In dieser digitalen Führung durch die Ausstellung Auf dem Weg nach draußen – Edvard Munch und die Natur beleuchten wir zusammen das Verhältnis zwischen Edvard Munch und Deutschland. Erlebe Werke wie Der Schrei, Die Sonne und Badende Männer in ihrer Verbindung zur deutschen Kultur und Gesellschaft in Munchs Zeit. Film: Einarfilm © Munchmuseet // Edvard Munch and Germany: Breakthrough and Crisis Edvard Munch had a close relationship with Germany and lived there for several years. Here he had his first commercial breakthrough and important supporters. The city Berlin with its international art scene gave Munch new impulses, and the naked bathing men on the beach in the Baltic town of Warnemünde became an important motif in his works. However, the time Munch spent in Germany was also stressful and even destructive. In this digital guided tour through the exhibition Yonder – Edvard Munch and Nature, we shed light on the relations between Edvard Munch and Germany. Experience works like The Scream, The Sun and Bathing Men through the lens of their relation to German culture and society.
Grazie mille per la visione 🙏 I miei libri per l'esame di maturità e per il III e IV anno su Amazon (GRATIS con Kindle Unlimited) 🎓😀: 🤍 Questo, invece, è il mio ultimo romanzo: “I Tecnocrati Di Cristo – Scacco matto alla ragione”. Il libro perfetto se vuoi avere la prova definitiva dell'esistenza di Dio (proprio quello della religione cattolica) 😉 🤍 Gratis con Kindle Unlimited. Puoi ascoltare il primo capitolo, qui: 🤍 Sto, da poco, usando un'app di pagamento fantastica che si chiama satispay (satispay.com) e che sta diventando virale 😉. Secondo me, la caratteristica più interessante di satispay è che i commercianti non pagano alcuna commissione per acquisti fino a 10 euro, quindi accettano volentieri anche pagamenti da 1 euro 💡. Usa il codice DOMENICOPETROL per ottenere 5 euro da spendere immediatamente quando ti registri 😀. Inizia a minare la criptovaluta π (non si sa mai 😊). È GRATIS, basta scaricare l’app! Codice invito “dompetrol”. Link diretto 🤍 Per gli immancabili malpensanti: non sto invitando nessuno a SPECULARE sulle criptovalute. Sto solo suggerendo di iniziare a MINARE una nuova criptovaluta, del tutto gratuitamente e semplicemente scaricando un'app. Se, tra 1, 5, 10 anni, questa criptovaluta avrà un valore, ne avrete un po' sul vostro telefono, altrimenti avrete semplicemente buttato via un po' del vostro tempo (pochissimo). Se pensate che ne possa valere la pena, scaricatela, altrimenti lasciate stare. Nessuno vi obbliga. - Fonti principali: en.wikipedia.it, it.wikipedia.org, blinkist.com
Edvard Munch is "somebody who has faced and captured the experience of the things that are deeply a part of our lives," says Eric Fischl. In this video, filmed in the contemporary American artist’s studio, Fischl discusses Munch’s painterly style and why Pikene på broen (Girls on the Bridge), a highlight of Sotheby's Impressionist and Modern Art Evening auction on 14 November in New York, is one of Munch's most powerful masterpieces. Learn More: 🤍 Download The Sotheby’s App: 🤍 FOR MORE NEWS FROM SOTHEBY’S Newsletter:🤍 Instagram: 🤍 Facebook: 🤍 Twitter: 🤍 Pinterest: 🤍 Weibo: 🤍 WeChat: sothebyshongkong Snapchat: Sothebys
Edvard Munch, nace el , 12 de diciembre de 1863- hasta el, 23 de enero de 1944) fue un pintor y grabador noruego. Sus evocativas obras sobre la angustia influyeron profundamente en el expresionismo alemán de comienzos del siglo XX. Sus obras son como variaciones constantes sobre la gran sinfonía de la existencia humana en sus lados diurnos, pero aún más, como es congruente con la sensibilidad finisecular, en los nocturnos. El amor y el odio, el deseo y la angustia, las pasiones y las emociones, son elevados a arquetipos de la vida anímica del hombre moderno o, incluso, de la propia condición humana. El pintor decía de sí mismo que, del mismo modo que Leonardo da Vinci había estudiado la anatomía humana y diseccionado cuerpos, él intentaba diseccionar almas. Por ello, los temas más frecuentes en su obra fueron los relacionados con los sentimientos y las tragedias humanas, como la soledad (Melancolía), la angustia (El grito, tal vez su mejor obra), la muerte (Muerte de un bohemio) y el erotismo (Amantes, El beso). Se le considera precursor del expresionismo, por la fuerte expresividad de los rostros y las actitudes de sus figuras, además del mejor pintor noruego de todos los tiempos. El grito (1893), óleo, temple y pastel sobre cartón, 91 x 74 cm, Galería Nacional de Oslo. El grito, realizado en 1893, fue una de sus obras más importantes. La idea de esta obra va surgiendo despacio.
Munchs house - turmoil and tranquility in Åsgårdstrand. Travel into Edvard Munch’s paintings and visit Åsgårdstrand, the lovely coastal town Munch drew inspiration from throughout his life. Munch spent many warm summers in Åsgårdstrand. What did he see and experience here? We will explore Åsgårdstrand’s scenery through Munch’s paintings, such as the large forest, the heaving waves against the shore and – most importantly – his most intimate belongings inside of his summer house. You will hear about how Munch explored themes such as love and desire in his paintings, with Åsgårdstrand as the setting. munchmuseet.no
Par Luc Ponette et Isabelle Yhuel. Émission diffusée pour la première fois sur France Culture le 27.11.2005. Intervenants : - Rodolphe Rapetti, adjoint au directeur des Musées de France, auteur de "Le Symbolisme", - Jean-Louis Andral, directeur du Musée Picasso à Antibes, - Françoise Heilbrun, conservateur en chef au Musée d'Orsay, - Geneviève Aitken, chargée d'études documentaires au Centre de Recherches et Restaurations des Musées de France, - Dominique Dussidour, écrivain, - Yves Hersant, directeur d'études à l'EHESS, écrivain, directeur de Mélancolies aux éditions Robert Laffont, - Mark Alsterlind, peintre.
C’est sans aucun doute l’exposition la plus attendue de l’année. Edvard Munch, celui que l’histoire résume trop souvent à son seul Cri, est le grand invité du Musée d’Orsay à Paris. Et force est de constater qu’un artiste peut être mondialement célèbre et être paradoxalement l’auteur d’une œuvre méconnue. Alors pour réhabiliter définitivement la figure du peintre norvégien dans l’Histoire de l’art, le célèbre Cri ne sera présenté que sous la forme d’une délicate lithographie, nous invitant, une fois n’est pas coutume, à redécouvrir l’artiste au-delà des icônes qui font sa notoriété. Musée d'Orsay, Paris Exposition Edvard Munch Jusqu'au 22 janvier 2023 Lire notre article ici : 🤍